Tom And Jerry is a series of theatrical short subjects (cartoons) created by William Hanna and Joseph Barbera for Metro-Goldwyn-Mayer that centered on a never-ending rivalry between a housecat (Tom) and a mouse (Jerry) whose chases and battles often involved comic violence. Hanna and Barbera ultimately wrote and directed one hundred and fourteen Tom And Jerry cartoons at the MGM cartoon studio in Hollywood, California between 1940 and 1957, when the animation unit was closed down. The original series is notable for having won the Academy Awards for Best Short Subject (Cartoons) seven times, tying it with Walt Disney’s Silly Symphonies as the most-awarded theatrical animated series.
Plot and format
The plots of each short usually center on Tom’s (the cat) numerous attempts to capture Jerry (the mouse) and the mayhem and destruction that ensues. Since Tom rarely attempts to eat Jerry and because the pair actually seem to get along in some cartoon shorts it is unclear why Tom chases Jerry so much. Some reasons given may include normal feline/murine enmity, duty according to his owner, Jerry’s attempt at ruining a task that Tom is entrusted with, revenge, Jerry saving other potential prey (such as ducks, canaries, or goldfish) from being eaten by Tom or competition with another cat, among other reasons.
Tom rarely succeeds in catching Jerry, mainly because of Jerry’s cleverness and cunning abilities and because of Tom’s own stupidity. Interestingly enough, many of the title cards show Tom And Jerry smiling at each other which seems to depict a love-hate relationship rather than the extreme annoyance each displays towards the other in each cartoon.
The shorts are famous for some of the most violent gags ever devised in theatrical animation: Jerry slicing Tom in half, shutting his head in a window or a door, Tom using everything from axes, pistols, explosives, traps and poison to try to murder Jerry, Jerry stuffing Tom’s tail in a waffle iron, kicking him into a refrigerator, plugging his tail into an electric socket, pounding him with a mace, club or mallet, causing a tree to drive him into the ground, and so on.[1] Despite all its popularity, Tom And Jerry has often been criticized as excessively violent.[2]:42 [3]:134 Despite the frequent violence, there is no blood or gore in any scenes. A recurring gag involves Jerry hitting Tom when he’s preoccupied, with Tom initially oblivious to the pain—and only feeling the effects moments later, and vice versa; and another involves Jerry stopping Tom in midchase (as if calling for a time-out), before he does something, usually putting the hurt on Tom.
The cartoon is also noteworthy for its reliance on stereotypes, such as the blackening of characters following explosions and the use of heavy and enlarged shadows (e.g., Dr. Jekyll and Mr. Mouse). Resemblance to everyday objects and occurrences is arguably the main appeal of visual humor in the series. The characters themselves regularly transform into ridiculous but strongly associative shapes, most of the time involuntarily, in masked but gruesome ways.
Music plays a very important part in the shorts, emphasizing the action, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music; Bradley often reprised contemporary pop songs, as well as songs from MGM films, including The Wizard of Oz and Meet Me In St. Louis. Generally, there is little dialogue as Tom And Jerry almost never speak, however minor characters are not similarly limited. For example, the character Mammy Two Shoes has lines in every episode in which she appears. Most of the dialogue from Tom And Jerry are the high-pitched laughs and gasping screams, which may be provided by a horn or other musical instrument.
Before 1954, all Tom And Jerry cartoons were produced in the standard Academy ratio and format; from late 1954 to 1955, some of the output was dually produced in both Academy format and the widescreen CinemaScope process. From 1956 until the close of the MGM cartoon studio a year later, all Tom And Jerry cartoons were produced in CinemaScope, some even had their soundtracks recorded in Perspecta Stereo. The 1960s Gene Deitch and Chuck Jones shorts were all produced in Academy format, but with compositions that made them compatible to be matted to Academy widescreen format as well. All of the Hanna and Barbera cartoons were produced in three-strip Technicolor; the 1960s entries were done in Metrocolor.
Beginning in 1960, in addition to the originals MGM had new shorts produced by Rembrandt Films, led by Gene Deitch in Eastern Europe. Production of Tom And Jerry shorts returned to Hollywood under Chuck Jones’ Sib-Tower 12 Productions in 1963; this series lasted until 1967, making it a total of 161 shorts. The cat and mouse stars later resurfaced in television cartoons produced by Hanna-Barbera and Filmation Studios during the 1970s, 1980s, and 1990s, and a feature film, Tom And Jerry: The Movie, in 1993. Today, Warner Bros. (via its Turner Entertainment division) owns the rights to Tom And Jerry, and produces the series Tom And Jerry Tales for The CW’s Saturday morning “Kids WB” lineup, as well as the 2005 Tom And Jerry short, The KarateGuard and a string of Tom And Jerry direct-to-video films.
